The Countercultures of the 1960’s and 2000’s

The Sixties has distinguished itself as a ten dollar bill that saw great cultural and governmental upheavals. The movements of the Sixties were struggling against the more or slight problematic and difficult issues of spot-war world racism and poverty, dehumanization in the highly-developed world due to technology, and Third World liberation (Morgan 4). By the 1960s, the ghetto communities of atomic number 20 became overly poor, overly policed, and extremely resentful. This tension amid a racist and repressive police force take to civil disturbance and fermenting in the United States.Growing unrest led to the rise of the civil rights movements such(prenominal) as the Black Panthers in Oakland, the Black Berets (Chicano) in San Jose, and the chocolate-brown Berets in Los Angeles. In an effort to divert or destroy growing movements for cordial change, the government infiltrated most civil rights and community activist hosts, precipitating their dying or diminishing their influence (Rodriguez 12). In the fall of 1966, two progeny black militants, Huey P. Newton and Bobby Seale founded the Black Panther Party in Oakland, California.They valued to prolong African-American history courses taught in the college as well as the employment of additional black teachers but soon evolved in reaction to a survey of the community to include a ten-point platform which called for Land, Bread, Housing, Education, Clothing, jurist and Peace. This basic ideology has been flexible enough to be adapted to rival the needs of all those who conceptualized the Black Nationalist struggle as integrity of both race and class (Harris 162). The Brown Berets was an organization who initially led the cultural aw arness and social-political activism in the 1960s for the young Hispanics.They were a innovative generation of Mexican students characterized by increasing militancy over continue inequity in education and inequality in economic opportunity. However, the Brown Be rets tube to police harassment, coupled with their military idolatry and political romanticism caused the organization to degenerate into militant violence and, gradually, to alienate the Mexican community and its youth altogether (Alfieri 1569). In the late 1960s, a group was formed calling for a new gay radicalism. It was called the Gay poke Front which aimed to fight the cultural homophobia alongside racism, sexism, and militarism.It was formed after the embarrass Riots which started with the raid on a gay bar. The police was met with much resistance and shouts of Gay Power The movement aimed to free sexuality, transform the family as an institution, block off anti-queer violence, and develop a new vocabulary for the erotic (Shepard 49). The 1960s overly saw the rise of rock music and alongside it, the movement cognize as the counter enculturation emerged. Americas youth was vulnerable to the messages of rock musics sounds. From this emerged a group called the hippie.Hippi e meant different things to the older and younger generations. According to terrycloth Anderson in The Movement and the Sixties (1996) Parents usually stated that hipsters include everyone revolting against something, or simply revolting to them, and mainstream journalists simply labeled them dirty, garb protesters who had long hair, smelled, and smoked dope. Marijuana was the staple of hippiedom, declared Time, L. S. D. its caviar, and Nicholas von Hoffman added, if the word style anything, it means a hippie is a dope dealer. At the block up of the decade a journalist summed up the older generations level of intimacy of the counterculture when he gave his peers advise on how to spot a hippie Well, hippies look like hippies (243). The hippies promote a ashen revolution of young urbanites, who, although they protest against much in society, are non-violent protesters, and who stage their attempt to overthrow western values by their home-made clothes, their rejection of the di stinction between decent and obscene, their disbelief in political solutions, and their desperate attempt to be folk (Wilson 195).In the cardinal first century, fads and lifestyle are likewise influenced by music and less due to civil activism. It is rooted more on pop culture. come on started in the underground in the subcultural movements of Black youth, White gays or tasteful avant-gardes pop as a way of living means a way of thinking and feeling, of living and also of dyingfrom Jimi Hendrix to Kurt Cobain (Muggleton & Weinzerl 42).An example is grouch which was initially a musical genre that emerged in the late 70s post punk era and has now evolved into a full-blown sub culture with the introduction of Gothic fashion and imagery movement. A Goth is person who is usually into the darker side of the world is deep into thought and feeling and very much creates or modifies their clothing usually consisting of mainly black. Tribal designs and religion-related jewelry are common , such as crucifixes and pentagrams (Muggleton & Weinzerl 290).Then there is hip-hop, a sub-culture or lifestyle which started as a name for the four elements of the late 70s New York City spiritual rebirth which includes break dancing, emceeing, (rapping) graffiti, and turntablism. We see its proponents wear loose pant and shirts for men, tight pants and shirts for women and bling-blings. Music and dance has also created an identity and a sense of belong within the clubbing crowd called rave technotribalism. They are dress upped for parties and clubs.In contrast, we have the Gen X who feel politically dispossessed and express their agitation in the name of democracy, environment, fair trade and other societal issues who dress up in jeans and shirts and carrying back packs (Muggleton & Weinzerl 68-69). Works Cited Alfieri, Anthony V. Racism on Trial The Chicano bid for Justice. Duke Law Journal. 53. 5. (2004). 1569+. Anderson, Terry H. The Movement and the Sixties. New York Oxfo rd UP, 1996. Harris, Jessica Christina. Revolutionary Black nationalism The Black Panther Party. The Journal of Negro History.85. 3. (2000). 162. Morgan, Edward P. The 60s Experience Hard Lessons close Modern America. Philadelphia Temple University Press, 1991. Muggleton, David & Weinzierl, Rupert (eds. ) The Post-Subcultures. New York Berg, 2003. Rodriguez, Luis. The End of the Line California Gangs and the compact of Street Peace. Social Justice. 32. 3. (2005). 12-16. Shepard, Benjamin H. The Queer/Gay Assimilationist Split The Suits vs. the Sluts. periodic Review. 53. 1. (May 2001). 49. Wilson, Bryan. The Youth Culture and the Universities. London Faber, 1970.